Warts When There Dying

Whatever - The Review

In a time when Italian politics was the protagonist of scandalous news, Albanian Antonio decides to bring his most successful films of recent years: The Cetto Any .

Born in the small screen, is a fugitive Calabrian Cetto, an aspiring politician who tries to find consensus among the voters by placing the apex of its draft electoral U 'Pilu .

For this experiment relies on the Albanian director Giulio Manfredonia known for his film "You Can Do " little gem came out about a couple of years ago. The screenplay co-written by Antonio Albanian and Piero Guerrera, Cetto sees return to his country after several years on the run and immediately suggested by her "friends" to fight the good of union elections De Santis Marina di Sopra.

What is the biggest risk to bring the film a television character who lives by television sketches? Obviously to make a film full of television sketches. Here, "Whatever " does just that: the film is composed of a swarm of services to the character of Antonio Albanian to say what I usually say on television. Consequently, the story becomes naive, almost useless, and the film becomes a medley of beats you feel you already have defined and made known his character.
And this is why we laugh even less than you should. If you are a fan of this character, like myself, just started a joke you already know how it will end because you have already heard.

even the relationship between the protagonist and his son Melo works as it should. Participant invisible to each sketch, there was curiosity to see how it was structured like a character's son Cetto, completely opposite to the views of his father . Obviously, the contrast between the two characters there, and you can see from their first scene, where Cetto immediately tried to put the child on the tracks, according to him, more just. Game proceeds without major outcomes for the duration of the film, usually committing the mistake of focusing on the figure of the father sacrificing his son.

Another waste of film Sergio Rubini in the shoes of a character too little and not very developed. His Jerry is called to create winning tactics can destroy a political opponent of Cetto is one-dimensional and almost useless. I wonder why it was called upon to interpret a actor as well as histrionic Rubini and especially because the latter has accepted.
Among other things, the premise of the southern regretted adoption Milan though not original, at least could be used most efficiently, most featuring a character in the film is limited to meditate and get in the dialect of Bari when he loses control (which happens only twice for a few seconds).

In short, watching the film has the feeling of watching that "Any " would have been if it had been written short. The beginning of this film is the most instinctive and natural that might have arisen attempting to write a film script about him. Lightness that left me amazed as I watched him and that made me even asking if I had before my eyes was a draft or a finished product.

You could do better. You had to do better. Especially in this historical period in which a character like this is not as excessive as it could be a few years ago because, as has often repeated in his interviews Albanian calls to promote the film: "Today Cetto is a breeze! .

You lose a good opportunity. To capitalize on the film one of the most exhilarating that television has given us in recent years. I surprise myself when I think of the pair-Nunziante Zalone, that with much less experience has been able to do much better than the Manfredonia-Albanian, that of cinema and film have much more experience.

Trailer: